Authors & Books | Tarpaulin Sky Press

TRANS-GENRE TEXTS. INNOVATIVE FICTION, NONFICTION & POETRY | SINCE 2003

Tarpaulin Sky Press
Authors & Books

TRANS-GENRE TEXTS. INNOVATIVE FICTION, NONFICTION & POETRY | SINCE 2003

Order directly from Tarpaulin Sky Press and enjoy free shipping in the U.S. as well as better prices than are offered by a certain nightmarish company whose name we shan’t utter.

Bookstores, libraries, and organizations may order from our distributors or order directly from TS here.

Order directly from Tarpaulin Sky Press and enjoy free shipping in the U.S. as well as better prices than are offered by a certain nightmarish company whose name we shan’t utter.

Bookstores, libraries, and organizations may order from our distributors or order directly from TS here.

Lauren Russell

Lauren Russell is the author of Descent (Tarpaulin Sky Press, 2020) and What’s Hanging on the Hush (Ahsahta Press, 2017). A 2017 National Endowment for the Arts Creative Writing Fellow in Poetry, she has also received fellowships from Cave Canem, The Wisconsin Institute for Creative Writing, and VIDA/The Home School, and residencies from the Rose O’Neill Literary House at Washington College, the Millay Colony for the Arts, and City of Asylum/Passa Porta. Her work has appeared in The New York Times Magazine, the Academy of American Poets’ Poem-a-Day, boundary 2, The Brooklyn Rail, Cream City Review, and the anthologies Bettering American Poetry 2015 and Furious Flower: Seeding the Future of African American Poetry, among others. She is a research assistant professor in English and is assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh.

Descent

In 2013, poet Lauren Russell acquired a copy of the diary of her great-great-grandfather, Robert Wallace Hubert, a Captain in the Confederate Army. After his return from the Civil War, he fathered twenty children by three of his former slaves. One of those children was the poet’s great-grandmother. Through several years of research, Russell would seek the words to fill the diary's omissions and to imagine the voice of her great-great-grandmother, Peggy Hubert, a black woman silenced by history. The result is a hybrid work of verse, prose, images and documents that traverses centuries as the past bleeds into the present. “A search for truths felt in one’s bones.” (Brenda Coultas) "An audacious, acid, lyrical re-membering.... Russell speaks to us. Sit all the way down and listen up.” (Douglas Kearney) “Sifting nimbly through all manner of documentation and employing form in revelatory ways, Russell’s poems are as much ascent—into a present shaped by the past—as descent from America’s true heroic figures.” (John Keene)

Julia Brennan

Julia Brennan is a writer and performer from central New York. She holds an MFA in fiction from Brown University, where she won the Frances Mason Harris ’26 manuscript award. Her work has been published in Hotel Amerika, Big Big Wednesday, and Gulf Coast, among other publications. Her debut novel, Hunting Season, won the 2019 Tarpaulin Sky Book Award. Julia lives and teaches in the high desert of Albuquerque, NM.

Hunting Season

Julia Brennan’s debut novel, Hunting Season, is part auto-fiction, part lyric essay, part lament, part film journal, part performance, and part exorcism. Challenging traditional victim/perpetrator narratives, Hunting Season is an intimate investigation into the ways we learn to love and wound. “A kind of fortress: elaborately constructed, designed to protect and to withstand the dangers that are everywhere around us. An imaginative, frightening and heartbreaking tour de force.” (Carole Maso) “You never know when her rifle will go off, leaving you bruised, cut in halves or quarters, or heartbroken. Hunting Season is ‘a slow amputation’ of love, film, disaster, agony, tamed or nonchalant sadomasochism and sexual fantasies.... Come here and let her destroy you. Tenderly.” (Vi Khi Nao)

Johannes Göransson

Johannes Göransson is the author of four books with Tarpaulin Sky Press -- Entrance to a colonial pageant in which we all begin to intricate (2011), Haute Surveillance (2013), The Sugar Book (2015), and Poetry Against All (2020) -- in addition to three previous collections of poems: A New Quarantine Will Take My Place, Dear Ra, Pilot (“Johann the Carousel Horse”) He has also translated several books, including Aase Berg's HackersDark Matter, Transfer Fat, and With Deer as well as Ideals Clearance by Henry Parland and Collobert Orbital by Johan Jönson. Göransson teaches at the University of Notre Dame in Indiana, and together with his wife, Tarpaulin Sky author Joyelle McSweeney, Göransson co-publishes Action Books.

Poetry Against All

"This slim journal contains multitudes. It’s a compulsively readable account of returning to a childhood home, a provocative meditation on artists such as Susan Sontag, Francesca Woodman, and Andrei Tarkovsky, and a radical reexamination of concepts like ruin porn, tourism, and translation. But mostly it’s an urgent manifesto. Göransson concludes: "This is written without hope." But paradoxically, Poetry Against All offers just that." (Jeff Jackson) "Moralists who find themselves clutching their pearls about this book of noir perversions should read less literally and see that Göransson's Poetry Against All -- for all its anti-libidinous interrogations of pornography, the Holocaust, and cadavers -- concerns some of the most relatably humanist emotions of all: grief, the meaning of home, and the protectiveness one has about one’s children. Göransson imagines pornography as the body at the edge of otherness, at once alluring and perverse, which is not unlike the lens through which he conceives his own role as immigrant, the contaminant in our body politic, alive to the sheer horror of America but never quite able to go home himself." (Ken Chen)

Rebecca Brown

Rebecca Brown is a the author of a dozen books published in the US and abroad, including American Romances, The Last Time I Saw You, The Dogs, The Terrible Girls (all with City Lights Books), and The Gifts of the Body (HarperCollins). She been awarded The Boston Book Review Award, The Lambda Literary Award, a Pacific Northwest Booksellers Award, two Washington State Book Awards, and a Stranger Genius Award, as well as grants to MacDowell, Yaddo, the Millay Colony, Hawthornden Castle, and The Breneman-Jaech Foundation.

Rebecca Brown: Not Heaven, Somewhere Else

Rebecca Brown’s thirteenth book is narrative cycle that revamps old fairy tales, movies, and myths, as it leads us from where we are to where we might go. Praise for Not Heaven, Somewhere Else: "It feels dangerous and exciting, like if (Brown) puts her big brain to it long enough, she could completely rewrite the story of who we are." (Seattle Review of Books) "Highly recommended and highly rewarding." (The Stranger) Praise for Rebecca Brown: "Strange and wonderful...Brown strips language of convention to lay bare the ferocious rituals of love and need." (The New York Times) "Simply one of the best contemporary lesbian writers around." (Dorothy Allison) "America's only real rock ‘n’ roll schoolteacher." (Thurston Moore, Sonic Youth)

Lauren Russell

Lauren Russell is the author of Descent (Tarpaulin Sky Press, 2020) and What’s Hanging on the Hush (Ahsahta Press, 2017). A 2017 National Endowment for the Arts Creative Writing Fellow in Poetry, she has also received fellowships from Cave Canem, The Wisconsin Institute for Creative Writing, and VIDA/The Home School, and residencies from the Rose O’Neill Literary House at Washington College, the Millay Colony for the Arts, and City of Asylum/Passa Porta. Her work has appeared in The New York Times Magazine, the Academy of American Poets’ Poem-a-Day, boundary 2, The Brooklyn Rail, Cream City Review, and the anthologies Bettering American Poetry 2015 and Furious Flower: Seeding the Future of African American Poetry, among others. She is a research assistant professor in English and is assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh.

Descent

In 2013, poet Lauren Russell acquired a copy of the diary of her great-great-grandfather, Robert Wallace Hubert, a Captain in the Confederate Army. After his return from the Civil War, he fathered twenty children by three of his former slaves. One of those children was the poet’s great-grandmother. Through several years of research, Russell would seek the words to fill the diary's omissions and to imagine the voice of her great-great-grandmother, Peggy Hubert, a black woman silenced by history. The result is a hybrid work of verse, prose, images and documents that traverses centuries as the past bleeds into the present. “A search for truths felt in one’s bones.” (Brenda Coultas) "An audacious, acid, lyrical re-membering.... Russell speaks to us. Sit all the way down and listen up.” (Douglas Kearney) “Sifting nimbly through all manner of documentation and employing form in revelatory ways, Russell’s poems are as much ascent—into a present shaped by the past—as descent from America’s true heroic figures.” (John Keene)

Julia Brennan

Julia Brennan is a writer and performer from central New York. She holds an MFA in fiction from Brown University, where she won the Frances Mason Harris ’26 manuscript award. Her work has been published in Hotel Amerika, Big Big Wednesday, and Gulf Coast, among other publications. Her debut novel, Hunting Season, won the 2019 Tarpaulin Sky Book Award. Julia lives and teaches in the high desert of Albuquerque, NM.

Hunting Season

Julia Brennan’s debut novel, Hunting Season, is part auto-fiction, part lyric essay, part lament, part film journal, part performance, and part exorcism. Challenging traditional victim/perpetrator narratives, Hunting Season is an intimate investigation into the ways we learn to love and wound. “A kind of fortress: elaborately constructed, designed to protect and to withstand the dangers that are everywhere around us. An imaginative, frightening and heartbreaking tour de force.” (Carole Maso) “You never know when her rifle will go off, leaving you bruised, cut in halves or quarters, or heartbroken. Hunting Season is ‘a slow amputation’ of love, film, disaster, agony, tamed or nonchalant sadomasochism and sexual fantasies.... Come here and let her destroy you. Tenderly.” (Vi Khi Nao)

Johannes Göransson

Johannes Göransson is the author of four books with Tarpaulin Sky Press -- Entrance to a colonial pageant in which we all begin to intricate (2011), Haute Surveillance (2013), The Sugar Book (2015), and Poetry Against All (2020) -- in addition to three previous collections of poems: A New Quarantine Will Take My Place, Dear Ra, Pilot (“Johann the Carousel Horse”) He has also translated several books, including Aase Berg's HackersDark Matter, Transfer Fat, and With Deer as well as Ideals Clearance by Henry Parland and Collobert Orbital by Johan Jönson. Göransson teaches at the University of Notre Dame in Indiana, and together with his wife, Tarpaulin Sky author Joyelle McSweeney, Göransson co-publishes Action Books.

Poetry Against All

"This slim journal contains multitudes. It’s a compulsively readable account of returning to a childhood home, a provocative meditation on artists such as Susan Sontag, Francesca Woodman, and Andrei Tarkovsky, and a radical reexamination of concepts like ruin porn, tourism, and translation. But mostly it’s an urgent manifesto. Göransson concludes: "This is written without hope." But paradoxically, Poetry Against All offers just that." (Jeff Jackson) "Moralists who find themselves clutching their pearls about this book of noir perversions should read less literally and see that Göransson's Poetry Against All -- for all its anti-libidinous interrogations of pornography, the Holocaust, and cadavers -- concerns some of the most relatably humanist emotions of all: grief, the meaning of home, and the protectiveness one has about one’s children. Göransson imagines pornography as the body at the edge of otherness, at once alluring and perverse, which is not unlike the lens through which he conceives his own role as immigrant, the contaminant in our body politic, alive to the sheer horror of America but never quite able to go home himself." (Ken Chen)