Rebecca Brown’s thirteenth book is narrative cycle that revamps old fairy tales, movies, and myths, as it leads us from where we are to where we might go. Praise for Not Heaven, Somewhere Else: "It feels dangerous and exciting, like if (Brown) puts her big brain to it long enough, she could completely rewrite the story of who we are." (Seattle Review of Books) "Highly recommended and highly rewarding." (The Stranger) Praise for Rebecca Brown: "Strange and wonderful...Brown strips language of convention to lay bare the ferocious rituals of love and need." (The New York Times) "Simply one of the best contemporary lesbian writers around." (Dorothy Allison) "America's only real rock ‘n’ roll schoolteacher." (Thurston Moore, Sonic Youth)
Co-winner of the 2017 Tarpaulin Sky Press Book Awards
Finalist, Lambda Literary Award for LGBTQ Nonfiction
Longlist, PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Equal parts séance, polemic, and love letter, Piper J. Daniels’ Ladies Lazarus examines evangelical upbringing, sexual trauma, queer identity, and mental illness with a raw intensity that moves between venom and grace. “Beautifully written…. Daniels emerges as an empowering and noteworthy voice.” (Publishers Weekly) “ Ladies Lazarus is the best debut I’ve read in a long time. Daniels has resurrected the personal essay and what it is and what it can do.” (Jenny Boully) “A siren song from planet woman, a love letter from the body, a resistance narrative against the dark.” (Lidia Yuknavitch)
Co-winner of the 2015 Tarpaulin Sky Book Award
The Grotesque Child is a story about being and being and being something else. It is about swallowing and regurgitating, conceiving and birthing. It is about orifices and orbs. It is about the viscous, weepy, goopy, mucousy, bloody state of feminine being and trans-being. It is about pain and various healers and torturers, soothers and inflictors. It is about what sleeps and hides in all the nooks and crannies of perceived existence and existence unperceived.
“Doubling down on his trademark misanthropic imagery amid a pageantry of the unpleasant” (PUBLISHERS WEEKLY); “Göransson is certainly of the Left, but his work is as savagely anti-idealist as Burroughs or Guyotat or Ballard.” (ENTROPY MAGAZINE); “Language smeared with bodily fluid and sex, language spackled with violence and death ... inhabiting that glittering/grotesque duality of Kardashian Family and Manson Family” (AMERICAN MICROREVIEWS).
Set in the mind of a narrator who is grieving the loss of her father, who conflates her motel room with the morgue, and who encounters characters that may not exist, Claire Donato's Burial is a little novel about an immeasurable black hole. "dark, multivalent, genre-bending ... unrelenting, grotesque beauty" (PUBLISHERS WEEKLY "BEST SUMMER READS") "Unforgettable" (HEATHER CHRISTLE); "Precise urn-like prose ... with the poise of Woolf or Loy or Carson" (BLAKE BUTLER); "shimmers with pain and delight" (BRIAN EVENSON); "Donato's assured and poetic debut augurs a promising career" (BENJAMIN MOSER).
A collection of short stories by Joyelle McSweeney, refracting the dread and isolation of contemporary life through a series of formal/generic lenses, producing a distorted, attenuated, spasmatic experience of time, as accompanies motherhood; making impossible any thinking in terms of conventional temporalities or even causalities, let alone their narrative effects. "McSweeney’s breakneck prose harnesses the throbbing pulse of language itself." (PUBLISHERS WEEKLY); "sexy teleological apocrypha of motherhood literature, a siren song for those mothers 'with no soul to photograph'" (BROOKLYN RAIL); "These words ring and richochet like tinnitus in your ears" (QUARTERLY WEST); "One would not make love to a Salamandrine during a sandstorm" (ALEISTER CROWLEY)
"An extraordinary work that takes us into the complex guts of the 'hospital-hotel complex.' Here the body rebels, redacts, pulls, and sings between patient and patient. wolach performs a radical somatics, procedural anatomic work, queer narrativity.'" (ERICA KAUFMAN); "The strange tearing apart held inside that holds you inside, singing static and shrapnel.... Dear 'jesus of the pain.' Welcome to david wolach’s beautiful corrosion." (FRED MOTEN); "holds the space of the clinic we don’t yet have, the dark we need, the chronic we might dream rather than undergo." (ELENI STECOPOULOS); "documents the soft rebellion of staying alive, articulating the transition from invisibility to indecipherability." (FRANK SHERLOCK)
"[A] feverish and explicit set of images and ideas revolving around power, fetish, porn, media, violence, translation, punishment, performance, and aesthetics..... kind of like a novelization of a movie about the production of a play based on Abu Ghraib, though with way more starlets and cocaine and semen." (BLAKE BUTLER, VICE); "part epic poem, part science fiction, part pornographic film, and all literature" (JOHN YAU, HYPERALLERGIC); "so filled with invention and wit and ferocity that I was compelled to read it, at times against my will, mesmerized, enthralled. (CAROLE MASO)
"I don't know where else you could contract the plague in these words but by ten TVs at once. On the TVs play: Salo, the weather channel, 2x Fassbinder (any), Family Double Dare, ads for ground beef, blurry surgical recordings, porno, porno, Anger (all).... You'll need a machine gun and a body double.... Burroughs and Genet and 'Pac are dead. Long live Goransson" (BLAKE BUTLER); "a discomfiting, filthy, hilarious, and ecstatic piece of literature that is cocked and ready" (BOOKSLUT); "Page after page begins to infect the reader, begins to parasite the reader as host, parasite the host’s inner child ... before immolating the host, the reader" (PANK MAG); "a pile up of sequined things and fleshy things.... The audience is often implicated. After all, torture and interrogation is not borne out of individual will and action alone.... All aboard" (HTML GIANT)