"Graphic vignettes involving live alligators, diarrhea in department store bathrooms, domesticity, dissected animals, and the medicalization of sex…. Aaron Apps’s hybrid work extends beyond the lyrical and textual… An abandonment of sorts, a style of writing unafraid of failure and therefore willing to employ risk as a model for confronting violence, living with it, learning from it."
"The cover imagery of Aaron Apps’ Intersex lets the reader know this will not be a tidy read. The scissors cutting upwards along the monolithic, phallic title . . . this is a messy read." At American Microreviews & Interviews, Carleen Tibbetts bravely examines the mess.
At Sink Review, the brilliant Natalie Eilbert examines, at length, both of Aaron Apps' recent books: "There is a reason why Apps is keen to render with disgust the images of bodies, beyond disharmonious harmony. It’s to remove the idea of the thing in favor of the thing itself, in all of its warm and damp and undisguised earth-flesh: 'The action is disgusting and beautiful.'"
At New Delta Review, Danielle Lea Buchanan conducts a brilliant interview with Aaron Apps, author of Intersex: A Memoir (Tarpaulin Sky Press, 2015), about "time, violence, bathroom narratives, transcendence, and death in Intersex."
Intersex explores gender as it forms in concrete and unavoidable patterns in the material world. In this hybrid-genre memoir, intersexed author Aaron Apps adopts and upends historical descriptors of hermaphroditic bodies such as “freak of nature,” “hybrid,” “imposter,” “sexual pervert,” and “unfortunate monstrosity” in order to trace his own monstrous sex as it perversely intertwines with gender expectations and medical discourse. "Intersex is all feral prominence.... Necessarily vulnerable, brave and excessive.... Like the best kind of memoir ... a book that bursts from its very frame" (BHANU KAPIL)