TS Authors-Books Mix

Danielle Dutton

Danielle Dutton is the author of Attempts at a Life, from Tarpaulin Sky, and SPRAWL (Siglio Press), finalist for the Believer Book Award. In 2010, Dutton launched her own independent press Dorothy, a publishing project, dedicated to works of fiction, "or near fiction, or about fiction, mostly by women."

Danielle Dutton: Attempts at a Life

Danielle Dutton's debut short-fiction collection, Attempts at a Life, from Tarpaulin Sky Press: "Danielle Dutton writes with a deft explosiveness that craters the page with stunning, unsettling precision" (LAIRD HUNT); "Danielle Dutton executes expert, miniscule language slips that make us slide down the surface of her narratives like raindrops streaking the windows of the last un-gentrified house in an old Victorian neighborhood.... An important new literary voice" (RAIN TAXI); "It’s serious, but as many dramatists celebrate: comedy orbits a dark sun. Which is to say, this is also a very funny book" (AMERICAN BOOK REVIEW)

Max Winter

Max Winter's first book of poems, The Pictures, was published by Tarpaulin Sky Press in 2007. He co-edits the press Solid Objects and is a Poetry Editor of Fence. He has published reviews in The Boston Globe, The San Francisco Chronicle, Time Out New York, Bookforum, and other publications.

Max Winter: The Pictures

Max Winter's first poetry collection, The Pictures, from Tarpaulin Sky Press: "A long-awaited debut by a promising younger poet" (PUBLISHERS WEEKLY); "Inherently fun" (BOOKSLUT); "subtle, thought-provoking" (OPEN LETTERS); "very much worth reading" (OCTOPUS MAGAZINE)

Jenny Boully: [one love affair]*

Jenny Boully's one love affair (Tarpaulin Sky Press, 2006) meditates on mud daubers, Duras, and the deaths of mentally ill and drug-addicted lovers, blurring fiction, essay, and memoir in an extended prose poem that is as much a study of how we read as it is a treatise on the language of love affairs: a language of hidden messages, coded words, cryptic gestures, and suspicion: "I highly recommend it, especially if you’re looking for a way into the “trans-genre” of prose poetry." (OPEN LETTERS MONTHLY); "Boully’s sentences are a joy in and of themselves" (RATTLE); "A genre-bending back-pocket book.... Gritty and intellectual ... addictive and soothing ... fitting for just about anyone’s bookshelf.... You’re reading the book for second, third, and fourth time." (COLDFRONT)

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