“I consider this book a must read,” Kaudo writes in her introduction, “for those of us wishing to know more about the world around us and the essay form. It’s rare that we encounter narratives of mental illness or suicide from queer and other marginalized voices, but Daniels spent many years rectifying this. Moreover, Ladies Lazarus deconstructs the typical essay form by hybridizing lyric essay and research essay into one, thereby presenting us with fresher narratives. Each essay is aware of itself, its role, and its place in the collection, and passionately examines the intersections of feminism, queerness, violence, mental illness, and artistry.”
Here’s an excerpt:
NK: Can you discuss the process of making the book—which essays came first and last?
PJD: The driving force of the book was the first essay “Sirens,” which took me ten years to get right. I began it as a suicide letter. I really wanted to advocate for the reasons people kill themselves—which sounds a bit crazy, but that’s what I wanted to do. I wanted to explain so that people would understand why it’s not a selfish thing to do and why I was choosing to do it. As I wrote the book, I sort of talked myself out of killing myself. [“Sirens”] set the tone for the book and was the reason why I thought I had anything I could offer anyone else. And it went from there.