Jennifer S. Cheng’s new hybrid collection Moon: Letters, Maps, Poems is a lyrical exploration of women’s mythology and a reimagining of feminine spaces. It is a re-weaving of ancient stories about Chinese goddesses, an exploration of the body as landscape, and a deep-dive into liminal experience. It tells a big story: a romance between body and space, a map of the undefined spaces women’s bodies inhabit. Told in fragments, Moon uses a hybrid form that combines emotional and physical cartography, narrative storytelling, and lyric poetics. It re-invents these forms just like it re-invents folklore. The central thread of the book centers on the stories of the “Lady in the Moon” and various Chinese sea goddesses, or “Women In The Sea.” These women surge and disappear throughout the book, reappearing and re-telling their stories like the tides….
What Cheng delivers us in Moon is a delicate, complexly layered letter. It is both translucent and dense, a sensual story full of texture. It asks us to get inside the envelope, hold it up to the light, peel it apart, and fold it back together again. It is an invitation to participate in the telling of her myths, our own folktales, and the common stories that we as humans are all a part of.