JOSHUA MARIE WILKINSON

Of Bird, String, & Fables

            ***

Couldn’t you see the ending before it unraveled you?
Would you mind lying down first?
Did you come by foot over the new bridge?

            ***

Here where the poem becomes
                                       ladders again,
the little girl returned with candy
& a nearly on her lips.

            ***

Dirty holdout,
           the bankrobber’s melody
   in the evening shower upstairs
                                        seeps through
                                                     with the hump
             of the ceiling fan
                                      like the telephone
            into the fury of the vacuum.

            ***

Smear
your wet forearm
              over the misted-up mirror.

Bundles of twenties duct-taped
into the busted oven.

            ***

Anna steals
out of bed, needs earliness,
                           hours of it,
                                        to reel
  undarkening
landscapes into her old Holga camera: railroad
bridge, garbled depot, plasmabank on South
Fourth Avenue.

            ***

This night
someone special
will wander drunk to a crushed payphone
                                                                    sink
             the quarter into the gummed slot
             & have
                  the conversation anyway.

            ***

The mailman is deaf & accidentally keeps ringing
the doorbell with his elbow as he pushes a package
into the slot.

Irate, our neighbor drags the gushing
sprinkler in from the lawn, alert enough
to keep her robe closed with the same hand
clutching her morning cocktail. Frank assures
me that she’s from Poland & then fixes us
a couple of morning cocktails too.

            ***

I conjure up all I can remember about Warsaw:
our hotel across from the bored grizzly at the zoo,
bland restaurant jazz, soup the color of oil
& it amounts to so little
             that I have nothing kind to say to the sprinkler-lady
& nothing whatsoever to say to Frank about having been there.

            ***

You can’t even pronounce it properly.
                                                       A word for a city.
                                    Sounds simple enough.

            ***

Did they last all night in the treehouse?
Exactly what has destroyed your memory?
Did you unscrew this doorknob a little tiny bit like you were asked?

            ***

To pull down: an attic ladder.
Climb it, creakily, up.


            ***

You should really apologize
& bring those dreams into the diner, well…
soothed, but with you,
pocketmouse, ssshhhh…
                                        exactly so.

            ***

                Sleep it open.

            ***

Exactly so.

            ***

The thieves had lifted
themselves out of the tunnel
with such swiftness—
they rinsed their faces & hands
in the subway washroom,
paused for the clicking turnstile
to click back
& assure a crowded entry just
as the train doors opened, bustling, out.

            ***

Your soldier hangs his dark uniform
                                        neatly in the washroom
                           stall & re-enters the city
                           in streetclothes.

If it’s hung carefully enough somebody will
wear it out & disappear against you,
as you’ve reappeared yourself
as somebody
somewhere else,
the same…but
differently & finished.

            ***

Cities are for
                 breaking you into several people
                                                             at once.

            ***

Swamps however
have white egrets,
noise enough to pull
the eyes out of your head.

            ***

If drizzle, then
                mosquitoes.

Home almost, at
least where words cut your lip & I spoke
you together & then back apart.

            ***

A fear of all basements & attics,
                                          fear of triplets & twins.
                                          Fear of trees that lean badly
                                          onto powerlines or houses.

            ***

A fear of the sixteenth hour
& flawless numbers.

Of uncles heavy with booze & the hasty games of cousins.
Fear of the telegram & the wires of the doorbell.

            ***

In swimming pool light
the boy who freed the moth
plods back up the stairs, does
a little dance in the mirror
                                    & flops
                                             into bed.

He has cats & sisters & confuses on purpose
their names.

            ***

The machines
break down in a street sweeping huff

  & the city has its
                  imperial way with us.


Joshua Marie Wilkinson was born and raised in Seattle's Haller Lake neighborhood. His first collection of poetry, Suspension of a Secret in Abandoned Rooms, was recently released by Portland's Pinball Publishing. New writing is forthcoming in Meridian, Fourteen Hills, The Strange Fruit, Burnside Review, Redactions, Phoebe Bird Dog, Eye Rhyme, Backwards City Review, and online at Double Room, Typo, Konundrum Engine Literary Review, 42Opus, and elsewhere. "Of Bird, String, & Fables" is a section of his new book-length poem, Lug Your Careless Body out of the Careful Dusk, which won the 2005 Iowa Poetry Prize and is due out in April, 2006, from University of Iowa Press. New Michigan Press recently released his chapbook A Ghost as King of the Rabbits, with illustrations by J'Lyn Chapman, and Thrill Jockey Records is releasing his first film, Made a Machine by Describing the Landscape, a tour documentary about the band Califone, next fall. He holds degrees in poetry (MFA--University of Arizona) and film (MA--University College Dublin), and he makes his home in Denver, Colorado, where he is completing his PhD in literature and creative writing.

 

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