Tarpaulin Sky Online

Always and forever, each moment with you...

News & Notes

aquarium-2

AWP 2016

Tarpaulin Sky Press & Friends at AWP 2016 in Los Angeles, March 30 – April 2: Anomalous, Denver Quarterly, Dorothy, Drunken Boat, Goldline / Ricochet, Noemi, Real Pants, Shearsman….

Poetry

is to Billy Collins as love is to domestic violence
bio-pic-lital

Lital Khaikin, Three Poems

“Salvation is a drug, push the dopamine dosage in regular intervals – until screaming hero in chains. From her hands into her mouth, obedient. Promised salvation. The body of Christ taken with a glass of wine. Sacral flesh in the throat. She takes the body of the saviour into her, takes flesh and myth, and believes she is saved.”

lisa basile

Three poems by Lisa Marie Basile

“it is not subtle, our kind of sin / as when bioluminescent angels glitter the black expanse / it is called nyctiluca. / isn’t it ravishing? / isn’t it how it feels to hunt / and make of our meat God and child.”

phillip duncan

Poem by Phillip Lee Duncan

Her “soul” abed with “regret”… / (Both demanding quotation marks)… / Was, over the last week and a half, / Like that two-headed dog / Locked inside a car with the windows rolled up.

kim-vodicka-featured

Poems by Kim Vodicka

“I grab my jizzy blankey and put on a bib / to catch the roofies. // Making piggy eyes for love. // I outsourced a boyfriend to autocomplete that pussy. // I crowdfunded a suicide.”

jt colfax

Poem by JT Colfax

“Patsy Manson having a cup of urine thrown in her face at Heaven’s Gate … / Patsy Manson chased endlessly at night, round a racetrack by a mechanical rabbit….”

Lara_Glenum_photo

Lara Glenum, JUNK SHOT

“We r strapped // 2 eachother / like some species // of occult glamour // I discharge my titters / over the bodies piling out // of the glass / The reanimation of my pie // in a funk of vex….” Excerpts from Lara Glenum’s poetry manuscript, JUNK SHOT, a finalist for the 2015 TS Book Prize.

Fiction

strickland

Fiction by Garett Strickland: “Gills”

“we weren’t so stupid. we’d done our reading, even there in school. we knew of the deformities. we’d seen the portraits in our history book – the habsburgs with their horrible lips, their jaws. mental retardation, et cetera. we knew, we knew. but that wasn’t what we were doing.”

sandy-florian-featured

Sandy Florian, The Chair

“Having climbed all five thousand stairs of the towering high-rise, OUR AUTHOR, in a red state of rage, erupts wildly into the room, and there, seeing that he was late to the conference, seeing that there were already so many authors at the table already, a million authors with a billion inflections, OUR AUTHOR thinks to himself that to pose even a single assertion, to converse with even a single poet, simply would not do….” Excerpts from Sandy Florian’s prose manuscript, The Chair, a finalist for the 2015 TS Book Prize.

mr-sheffield-detail

MR Sheffield, We Are the Blood

“Lil Kim was important to physics. She came up with the ‘Gigantic Shit Ton of Shit We Cannot Understand Theory’ which attempts to make sense of the ways in which the universe can be so fundamentally fucked the hell up.” Short fictions from MR Sheffield’s manuscript, We Are the Blood, a finalist for the 2015 TS Book Prize.

Laynie-Browne-detail

Laynie Browne, Periodic Companions

“In our actions we are beyond the believable and we divine, through tea leaves or wind, chemical signals, market rates or text codes of our clan— where we are driven next— furthest from before. Join our little gathering despite these many faults and without which we wonder whose art is reverential. Meet our misshapen family.” Excerpts from Laynie Browne’s novel manuscript, Periodic Companions, a finalist for the 2015 TS Book Prize.

mark-baumer-photo

Mark Baumer, Yachts

“Sometimes I would rub my face in the corner where the blue carpet smelled like damp, burning goat candles and then my face would smell like damp, burning goat candles.” Excerpts from Mark Baumer’s fiction manuscript, Yachts, a finalist for the 2015 TS Book Prize.

Brian-Kubarycz-photo

Brian Kubarycz, The Instruments I Used

“Fire stormed on ice that winter night. Down turned to coal inside my pillow. A sky above my ceiling and the Devil bright red in it, I ate God’s Holy Bible. One prophet at a time. Deep within my bowels, his mercies turned to sour meal.” Excerpts from Brian Kubarycz’s fiction manuscript, The Instruments I Used, a finalist for the 2015 TS Book Prize.

Indeterminate Texts & Images

which may or may not be twice- or thrice-listed in other genres. Please don't freak out.
CJF_Love_works_evil_in_you

Carl Ferrero, Words & Pictures

Carl Ferrero’s work has been exhibited at Feature Inc., Vox Populi, the Bronx Museum of the Arts, Artists Space, The Elizabeth Foundation, Los Angeles Contemporary Exhibitions, Exile gallery in Berlin, and Artenova in Italy.

emily-carr-detail

Emily Carr, Name Your Bird Without A Gun

“Her voice is like a carnation sucking water, sucking blue. / She drinks. Hello she says. / Yes she says like the lion of St. Mark, with liquid nonchalance….” Excerpts from Emily Carr’s hybrid manuscript, Name Your Bird Without A Gun: A Tarot Novel, a finalist for the 2015 TS Book Prize.

Vanessa_Roveto-detail

Vanessa Roveto, The Clinic

Medical practice as psycho-erotic soap opera. A mad philosophical speculation, a pseudo-scientific meditation. This is a horror show. Excerpts from Vanessa Roveto’s hybrid-genre manuscript, The Clinic, a finalist for the 2015 TS Book Prize.

andy-fitch-detail

Andy Fitch, Garageland

“You ask yourself what value (in terms of life, of action) ‘Up in Heaven’s’ bizarre punk/pop fusion holds, for precisely which audience. You wonder if Mick’s departure from punk sound, if not punk sentiment, betrays its own escapist anxieties before what Nietzsche describes as the two worst contagions: ‘great nausea at man,’ ‘great pity for man.'” Excerpts from Andy Fitch’s hybrid-genre manuscript, Garageland, a finalist for the 2015 TS Book Prize.

paul-cunningham-detail

Paul Cunningham, GOAL/TENDER MEAT/TENDER

“I’m no amateur when it comes to negotiations, but I’m willing to offer you my head. I’m willing to sacrifice myself to continue the species. This is an institution of unsportsmanlike policies and I’m doing my best to generate a little public interest.” Excerpts from Paul Cunningham’s hybrid-genre manuscript, GOAL/TENDER MEAT/TENDER, a finalist for the 2015 TS Book Prize.

arisa-white-detail

Arisa White, dear Gerald

“I watch a housewife on TV tell how she lost her leg at six to a farm machine. She’s beautiful—looks like a horse—but in her head she’s missing a leg.” Excerpts from Arisa White’s cross-genre manuscript, dear Gerald, a finalist for the 2015 TS Book Prize.

Occult

strickland

Fiction by Garett Strickland: “Gills”

“we weren’t so stupid. we’d done our reading, even there in school. we knew of the deformities. we’d seen the portraits in our history book – the habsburgs with their horrible lips, their jaws. mental retardation, et cetera. we knew, we knew. but that wasn’t what we were doing.”

bio-pic-lital

Lital Khaikin, Three Poems

“Salvation is a drug, push the dopamine dosage in regular intervals – until screaming hero in chains. From her hands into her mouth, obedient. Promised salvation. The body of Christ taken with a glass of wine. Sacral flesh in the throat. She takes the body of the saviour into her, takes flesh and myth, and believes she is saved.”

plinth-vol-4

Plinth Vol.4

Beautiful monsterchild of the equinoctial super-bloodmoon eclipse, the fourth issue of Plinth, published by Unwin-Dunraven Literary Ecclesia, features work by Tarpaulin Sky Press author Claire Donato along with Purdey Lord Kreiden (whose new collection, Scolopendrum, is forthcoming from Action Books in April 2016), Nick Greer, Matthew Johnstone, A.A. Walker, Jayme Russell, C.C. Parker, Alina Popa, and Lital Khaikin.

READ MORE OCCULT

Interviews

veiled-1000w

Interview with Jan Clausen – Part 1

Tarpaulin Sky is delighted to have the opportunity to interview “hostile” writer Jan Clausen, author of Veiled Spill: A Sequence, and author recently praised and admonished in American Poetry Review and The Rumpus respectively.

Reviews

Phantom_Pains_front_cover_large

Noelle Kocot’s ‘Phantom Pains of Madness’ Reviewed by Erin Lyndal Martin

In his 1917 essay “Art as Device,” Viktor Shklovsky wrote: “the purpose of art is to impart the sensation of things as they are perceived, and not as they are known. The technique of art is to make objects ‘unfamiliar,’ to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself, and must be prolonged.”

RECEIVED & AVAILABLE FOR REVIEW

Books that other publishers have been kind enough to send us in the hope that you will review them. Please do. Reviewing is good for everyone involved. Bonus: reviewers whose reviews are accepted for publication on tarpaulinsky.com receive any Tarpaulin Sky Press paperback of their choice. If you’re interested in reviewing one of the titles below, please send a brief cover letter to reviews[at] tarpaulinsky[dot]com and include “Attn: Review Editors” in the subject line. Publishers (or authors), please send review copies to Tarpaulin Sky Press, PO Box 189, Grafton, VT 05146.