SARAH GOLDSTEIN
from Fables

    

Many old wives’ tales persist in town, such as: take an orphan child hunting, you will return with threefold the bounty. Although law forbids observing such advice, a hard winter is coming. Some adults decide to take a few of these unfortunate children into the woods. The hunt yields nothing. After several days the adults become frustrated, and the already grief-stricken children know something is wrong. Sunlight does not pass through the tree canopy, and the children see ever more owls and bats. They sneak away from the hunting party and wander the forest. Nightjars and swifts circle, alight on their arms, pinch them. Swallows dive and take tufts of their hair. Exhausted, the children crawl into the undergrowth. They feel safe and sleep, but wake without memory of themselves. When they cry it is the sounds of the whippoorwills. The nightingales become their mothers, and pheasants usher them to winter quarters. Meanwhile, the adults have returned to town to face the others. Everyone grimaces, hearing only what they decide to understand.

        

 

*

    

    

They call him hatchet-head, spoon-nose, moon-face. His friends are a worn-out bicycle and the family dog, who is graying and slow. They barely endure his talking at home and his mother frequently buries small talismans in the backyard after his father has gone to sleep. One night she nods off in the yard, waking to find her son holding a bouquet of fiddleheads, puffballs and sumac. She feels very hot, as though the sun is out. But it is only that the moon has risen to a brightness she no longer anticipates and she hears the river recede into its rocky bed. Her son’s face is nodding and difficult to see, yellow in a blurring glow.

        

 

*

    

    

The town is definitely cursed but some decide to stay there anyway. They watch their screens carefully to help figure out where to burn the leftover parts. They should not forget their protectors, they say to one another. They should remember to chlorinate the water and bathe every third day. The women can be assembled in one area to watch the food. It’ll work itself out once the clouds blow away to the east. The screens have a steady flickering pattern that interferes with live broadcasts of unsmiling wide-shouldered men in heavy suits. The dogs of the town lie in a heap and cough, shuddering with every breath.

        

 

*

    

    

One day in June all the baby starlings appeared, just like that: born of nothing but curses. Hurrh-hurrh-hurrh of their feeding throats drowns us out. Insect parts litter the streets, that white shit everywhere and dead robins too. The witches come out and stand on their front porches, clapping their hands to draw the starlings in for the night. Sickness has struck all over town, children falling one by one, their little organs gracefully shutting down, fevering away from consciousness. Mothers try clapping their hands but birds just hit the windows.

        

 

*

    

    

They have been banned from the local swimming pool and their parents complained about the trenches they dug in their backyards, so the three girls meet in the colorless dawn by the pond near the highway. People in the cars going by seem not to notice. The girls hold each other’s hands and wade into the shallowest part of the pond, shivering violently. They kneel down and take turns inhaling the stagnant, rusty-tasting wetness, the microbes and the dirt. Now they cannot be seen from the road at all. Each day they return to practice their underwater breathing. When it does flood the following month, they laugh and swim gloriously between the submerged houses like underage mermaids, lithe among bloated debris.

 


 
 

Sarah Goldstein's Fables will be published by Tarpaulin Sky Press in Spring 2011. Goldtsein was born in Toronto and attended Concordia University (Montreal) and Cornell University. She currently resides in western Massachusetts. Her writing has appeared in Barrow Street, Bateau, Caketrain, Denver Quarterly, New South, Verse, and other journals, and her artwork has been shown in the US and Canada. Read more excerpts from Fables at Open Letters Monthly, who also hosts an interview with Sarah.

   

   

   

 

 

 

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